TILLIS PAM - "maybe it was memphis" Tablature
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From: rrb@deja-vu.aiss.uiuc.edu (Bill Pfeiffer)
Message-Id: <9312310932.AA23263@deja-vu.aiss.uiuc.edu>
Subject: Maybe It Was Memphis (Pam Tillis)
To: jamesb@nevada.edu
Date: Fri, 31 Dec 1993 03:32:47 -0600 (CST)
X-Mailer: ELM [version 2.4 PL22]
Mime-Version: 1.0
Content-Type: text/plain; charset=US-ASCII
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Here is a submission for you.
I got it off of rec.music.country.western.
Please let me know if you get it. I can send more.
Bill
--------------------------------
From: indigo@ucscb.UCSC.EDU (Adam Schneider)
Subject: CRD/TAB: "Maybe It Was Memphis" (Pam Tillis)
Organization: University of California, Santa Cruz
MAYBE IT WAS MEMPHIS (by Michael Anderson; recorded by Pam Tillis)
------------------------------------------------------------------
[Actually in A; capo 2.]
[Each chord is half a measure.]
[The little melody thing in the intro (and elsewhere) is just G and Gsus4;
do it by using your index finger to switch back and forth quickly from
3x0003 to 320013. I marked it in the chords as G*.]
G G* G G*
[intro]
G G G C
Looking at you through a misty moonlight...
G G G C
Porch swing swaying like a Tenn....
D C D C
What was I s'posed to do...
D F G G*
Lonely boy far ...
G G C C
Maybe it was Memphis, maybe it was ....
Am7 C G G*
Maybe it was you, maybe it ...
Read about you in a Faulkner novel, ....
Maybe it was Memphis, maybe it was ....
[Guitar solo, same chords as chorus; see tab at end]
Every night now since I've been back home....
Maybe it was Memphis, maybe ...
Maybe it was you, ....
Maybe it was Memphis, ....
Maybe it was you, maybe it ...
Am7 C G G*
Maybe it was you, maybe it ....
G C/G G G*
Ohhh, you know it ....
G C/G G G*
Oh, maybe it ...
G C/G G G*
Maybe it ...
G C/G G G*
Maybe it ...
G C G G* G C G G*
Maybe it was ....[repeat/fade]
GUITAR SOLO TAB:
* It's probably actually played in A with no capo, but I find it easier in G.
(I got this by translating some piano sheet music into tablature.)
* "tri" denotes sixteenth-note triplets. "triplets" are eighth triplets.
* The marks below the tab lines are timing; they're mostly accurate.
* An equal sign (=) is a hammer-on or pull-off. When there wasn't room for
the marker, I put the numbers and equal signs in parentheses below the tab.
I did that so that 1=0 wouldn't be confused with the number 10 (ten).
G C
E ----------|--------------------------------|--------------------------------|
B ----------|--------------------------------|--------tri---------1=0---------|
G 2-4---2-0-|2---0-----------------2---4-2-0-|2---4---020---0---------------20|
D ----------|--2-----------------------------|------------2-------------------|
A ----------|--------------------------------|--------------------------------|
E ----------|--------------------------------|--------------------------------|
^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^
(0=2=0) (2=0)
Am7 C G
E ----------------0---------------|----------3-----7-7-7-7-8=7-5---|
B --------1=0-------------3---1=0-|1=0-----------7---------------8-|
G 0-------------20----------------|----2=0-4---4-------------------|
D --------------------------------|--------------------------------|
A --------------------------------|--------------------------------|
E --------------------------------|--------------------------------|
^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .
(2=0)
G C
E 5--------------57---------10-10-|12--10=8--------15---------------15|
B --5-8-------------------triplets|--------10-12-13--------10=12-13---|
G --------------------------------|--------triplets-------------------|
D --------------------------------|-----------------------------------|
A --------------------------------|-----------------------------------|
E --------------------------------|-----------------------------------|
^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .
Am7 C G
E -----------------------8-----7-----|--------------------------------|
B 13--13=12-10--10-----8-------------|8-------------------------------|
G ------------12--12-9---------------|--------------------------------|
D -----------------------------------|--------------------------------|
A -----------------------------------|--------------------------------|
E -----------------------------------|--------------------------------|
^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .
==-=--=---=----=-----=-------=---------=---------=-------=-----=----=---=--=-==
Adam Schneider indigo@ucscb.ucsc.edu U.C. Santa Cruz
Mail me if you want guitar chords for Indigo Girls,
Mary-Chapin Carpenter, Lucinda Williams, etc.
==-=--=---=----=-----=-------=---------=---------=-------=-----=----=---=--=-==
--
William Pfeiffer - Moderator/Editor + Better Dead
rec.radio.broadcasting - Airwaves Radio Journal + Than Satellite Fed
- Internet email - + *********
Article Submission: articles@airwaves.chi.il.us + Support
Subscription Desk: subscribe@airwaves.chi.il.us + Local Radio
Received: from deja-vu.aiss.uiuc.edu (deja-vu.aiss.uiuc.edu [128.174.53.10]) by post-office.nevada.edu (8.6.4/8.6.4) with SMTP id BAA11026 for <jamesb@nevada.edu>; Fri, 31 Dec 1993 01:32:49 -0800
Received: by deja-vu.aiss.uiuc.edu (AIX 3.2/UCB 5.64/4.03)
id AA23263; Fri, 31 Dec 1993 03:32:47 -0600
From: rrb@deja-vu.aiss.uiuc.edu (Bill Pfeiffer)
Message-Id: <9312310932.AA23263@deja-vu.aiss.uiuc.edu>
Subject: Maybe It Was Memphis (Pam Tillis)
To: jamesb@nevada.edu
Date: Fri, 31 Dec 1993 03:32:47 -0600 (CST)
X-Mailer: ELM [version 2.4 PL22]
Mime-Version: 1.0
Content-Type: text/plain; charset=US-ASCII
Content-Transfer-Encoding: 8bit
Content-Length: 6499
Here is a submission for you.
I got it off of rec.music.country.western.
Please let me know if you get it. I can send more.
Bill
--------------------------------
From: indigo@ucscb.UCSC.EDU (Adam Schneider)
Subject: CRD/TAB: "Maybe It Was Memphis" (Pam Tillis)
Organization: University of California, Santa Cruz
MAYBE IT WAS MEMPHIS (by Michael Anderson; recorded by Pam Tillis)
------------------------------------------------------------------
[Actually in A; capo 2.]
[Each chord is half a measure.]
[The little melody thing in the intro (and elsewhere) is just G and Gsus4;
do it by using your index finger to switch back and forth quickly from
3x0003 to 320013. I marked it in the chords as G*.]
G G* G G*
[intro]
G G G C
Looking at you through a misty moonlight...
G G G C
Porch swing swaying like a Tenn....
D C D C
What was I s'posed to do...
D F G G*
Lonely boy far ...
G G C C
Maybe it was Memphis, maybe it was ....
Am7 C G G*
Maybe it was you, maybe it ...
Read about you in a Faulkner novel, ....
Maybe it was Memphis, maybe it was ....
[Guitar solo, same chords as chorus; see tab at end]
Every night now since I've been back home....
Maybe it was Memphis, maybe ...
Maybe it was you, ....
Maybe it was Memphis, ....
Maybe it was you, maybe it ...
Am7 C G G*
Maybe it was you, maybe it ....
G C/G G G*
Ohhh, you know it ....
G C/G G G*
Oh, maybe it ...
G C/G G G*
Maybe it ...
G C/G G G*
Maybe it ...
G C G G* G C G G*
Maybe it was ....[repeat/fade]
GUITAR SOLO TAB:
* It's probably actually played in A with no capo, but I find it easier in G.
(I got this by translating some piano sheet music into tablature.)
* "tri" denotes sixteenth-note triplets. "triplets" are eighth triplets.
* The marks below the tab lines are timing; they're mostly accurate.
* An equal sign (=) is a hammer-on or pull-off. When there wasn't room for
the marker, I put the numbers and equal signs in parentheses below the tab.
I did that so that 1=0 wouldn't be confused with the number 10 (ten).
G C
E ----------|--------------------------------|--------------------------------|
B ----------|--------------------------------|--------tri---------1=0---------|
G 2-4---2-0-|2---0-----------------2---4-2-0-|2---4---020---0---------------20|
D ----------|--2-----------------------------|------------2-------------------|
A ----------|--------------------------------|--------------------------------|
E ----------|--------------------------------|--------------------------------|
^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^
(0=2=0) (2=0)
Am7 C G
E ----------------0---------------|----------3-----7-7-7-7-8=7-5---|
B --------1=0-------------3---1=0-|1=0-----------7---------------8-|
G 0-------------20----------------|----2=0-4---4-------------------|
D --------------------------------|--------------------------------|
A --------------------------------|--------------------------------|
E --------------------------------|--------------------------------|
^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .
(2=0)
G C
E 5--------------57---------10-10-|12--10=8--------15---------------15|
B --5-8-------------------triplets|--------10-12-13--------10=12-13---|
G --------------------------------|--------triplets-------------------|
D --------------------------------|-----------------------------------|
A --------------------------------|-----------------------------------|
E --------------------------------|-----------------------------------|
^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .
Am7 C G
E -----------------------8-----7-----|--------------------------------|
B 13--13=12-10--10-----8-------------|8-------------------------------|
G ------------12--12-9---------------|--------------------------------|
D -----------------------------------|--------------------------------|
A -----------------------------------|--------------------------------|
E -----------------------------------|--------------------------------|
^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .
==-=--=---=----=-----=-------=---------=---------=-------=-----=----=---=--=-==
Adam Schneider indigo@ucscb.ucsc.edu U.C. Santa Cruz
Mail me if you want guitar chords for Indigo Girls,
Mary-Chapin Carpenter, Lucinda Williams, etc.
==-=--=---=----=-----=-------=---------=---------=-------=-----=----=---=--=-==
--
William Pfeiffer - Moderator/Editor + Better Dead
rec.radio.broadcasting - Airwaves Radio Journal + Than Satellite Fed
- Internet email - + *********
Article Submission: articles@airwaves.chi.il.us + Support
Subscription Desk: subscribe@airwaves.chi.il.us + Local Radio
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