RADIOHEAD - "high and dry2" Tablature
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"High And Dry"
transcripted by: Allen Yeung <ac380455@polyu.edu.hk>
intro from: L Guillemot <lg@dumbo.univ-poitiers.fr>
second intro from: Andreas Jonsson <anjo0218@student.gu.se>
2 bars drums
intro (repeat):
C#/A B/A C#/A Asus2 E
--4-4-4-4-4--2-2-2-2-2--4-4-4-4-4--0-0-0-0-0--0-0-
--0-0-0-0-0--0-0-0-0-0--0-0-0-0-0--0-0-0-0-0--0-0-
--6-6-6-6-6--4-4-4-4-4--6-6-6-6-6--2-2-2-2-2--1-1-
--6-6-6-6-6--4-4-4-4-4--6-6-6-6-6--2-2-2-2-2--2-2-
--0-0-0-0-0--0-0-0-0-0--0-0-0-0-0--0-0-0-0-0--2-2-
--x-x-x-x-x--x-x-x-x-x--x-x-x-x-x--x-x-x-x-x--0-0-
OR
||------------------0------------------0-0-0-0-0-0---||
||------------------0------------------0-0-0-0-0-0---||
||*--13-13-13-13\11-11---13-13-13-13\9-9-9-9-9-9-9--*||
||*-------------------------------------------------*||
||---11-11-11-11\9--9----11-11-11-11\7-7-7-7-7-7-7---||
||-----------------------------------------0--0--0---||
B/F# A E E
two jumps in a week i bet you think that's pretty clever don't you boy.
B/F# A E E
flying on your motorcycle. watching all the ground beneath you drop.
B/F# A E E
you'd kill yourself for recognition. kill yourself to never ever stop.
B/F# A E E
you broke another mirror. you're turning into something you are not.
B/F# A E E
don't lead me high, don't lead me dry,
B/F# A E E
don't lead me high, don't lead me dry.
B/F# A E E
B/F# A E E
drying up in conversation you will be the one who cannot talk.
B/F# A E E
all your insides fall to pieces. you just sit there wishing you could still make love.
B/F# A E E
they're the ones who'll hate you when you think you've got the world all sussed out.
B/F# A E E
they're the ones who'll spit at you. you will be the one screaming out.
B/F# A E E
don't lead me high, don't lead me dry,
B/F# A E E
don't lead me high, don't lead me dry.
B/F# A E E
B/F# A E E
B/F# A E E
it's the best thing that you ever had. the best thing that you ever ever had.
B/F# A E E
it's the best thing that you ever had. the best thing that you had has gone away.
B/F# A E E
don't lead me high, don't lead me dry,
B/F# A E E
don't lead me high, don't lead me dry.
B/F# A E E
don't lead me high,
B/F# A E
don't lead me high, don't leave me dry.
---
Solo: (on a single string)
B-5-5-4-5-5--4-5-5--4-5s7s5-4--5-5-4-5-5-2-0----2---4-
B-5-5-4-5-5--4-5-5--4-5s7s5-4--5-5-4-5-5-2-0----------
---
intro,from: Stuart Winchester <stuart@winchester.force9.co.uk>
OK, The beginning part of this song isnt on the tab thats around.
ns ns
low E|---0---s----0---s----0---s----0----s---0--------------------
|---7---s---11---s----9---s---11----s---7--------------------
|---x---l----x---l----x---l----x----l---x--------------------
|---9---i---13---i---11---i---13----i---9--------------------
|---0---d----0---d----0---d----0----d---0--------------------
highE|---0---e----0---e----0---e----0----e---0--------------------
This needs a bit of explaining too. Where it says ns dont stop to
play the chord at the fret. Carry on sliding down to the next chord.
sslide:- Strum slide. Carry on strumming while sliding.
I hope thats right. It dosent sound it though, I think something is
done with the low E, but I dont know.
---
another one, this from Tyler Todd:
F#m11 Aadd9 E and F#m11 Aadd9 E A/E E A/E
The A/E changes are very quick, but they are there. Just listen for them.
The chords look like this.
F#m11:2x4200 E:022100
Aadd9:577600 A/E:04x200 this chord is often substituted with Esus4:022200
The sliding octaves at the start actually look like this:
x11x1300 slide to x9x1100 back to x11x1300 slide to x7x900 (strum in time,
then add the low "E") 07x900
---
now here are the solos:
at *2:50*
F#m11:2x4200 Aadd9:577600 E:022100
1:--0-------0-------0-------0-0-------0-------0--------0-------0----------------
2:5---4-5-5---4-5-5---4-5-5/7---4-4-5---4-5-5---2--------0---2-4-4--------------
3:-------------------------------------------------4-4-----4--------------------
4:------------------------------------------------------------------------------
5:------------------------------------------------------------------------------
6:------------------------------------------------------------------------------
F#m11:2x4200 Aadd9:577600 E:022100
1:--0-------0-------0-------0-0-------0-------0---------------------------------
2:5---4-5-5---4-5-5---4-5-5/7---4-4-5---4-5-5---2-------------------------------
3:-------------------------------------------------4-4///////////1--------------
4:------------------------------------------------------------------------------
5:------------------------------------------------------------------------------
6:------------------------------------------------------------------------------
Now at *3:33*
F#m11:2x4200 Aadd9:577600 E:022100
1:--0-------0-------0---------0-------0-----------------------------------------
2:5---4-5-5---4-5-5---4-4-5/7---5-4-5---4-5-5-2-2-------------------------------
3:------------------------------------------------4-4-2-1-1---------------------
4:------------------------------------------------------------------------------
5:------------------------------------------------------------------------------
6:------------------------------------------------------------------------------
F#m11:2x4200 Aadd9:577600 E:022100
1:--0-------0-------0-------0-------0-------0-----------------------------------
2:5---4-5-5---4-5-5---4-5-5---4-5-5---4-5-5---4-5--5-5-5-5-7-7-9-9--------------
3:------------------------------------------------------------------------------
4:------------------------------------------------------------------------------
5:------------------------------------------------------------------------------
6:------------------------------------------------------------------------------
Finally, the interesting bit at *3:54*
F#m11:2x4200 Aadd9:577600 E:022100
1:-0---0---0---0---0---0--0---0---0---0---0---0---0---0--0---0--------12--------
2:-0---0---0---0---0---0--0---0---0---0---0---0---0---0--0---0-----------0------
3:14--14--13--14--13--11--9--13--14--14--14--14--13--11--9--11--11/13------14---
4:------------------------------------------------------------------------------
5:------------------------------------------------------------------------------
6:------------------------------------------------------------------------------
(E:022100) F#m11:2x4200
Aadd9 E
1:-0-------0---0--0--0-0----0---0---0---0---0---0---0---0---0---0--0--0--------0
2:-0-------0---0--0--0---0--0---0---0---0---0---0---0---0---0---0--0--0--------0
3:11-h-13-11--11--9--9------9--11--13--13--14--14--13--14--13--11--9--1---2----1
4:------------------------------------------------------------------------2----2
5:------------------------------------------------------------------------0----2
6:-----------------------------------------------------------------------------0
h:hammer on ///////:gradual slide
/:slide
/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\
+ Adrian Morse <amorse@waterw.com> +
+ The Radiohead Guitar Archive @ No Alarms +
+ http://www.waterw.com/~amorse/radiohead/ +
++++++++++++++++++++++++++++++++++++++++++++++
transcripted by: Allen Yeung <ac380455@polyu.edu.hk>
intro from: L Guillemot <lg@dumbo.univ-poitiers.fr>
second intro from: Andreas Jonsson <anjo0218@student.gu.se>
2 bars drums
intro (repeat):
C#/A B/A C#/A Asus2 E
--4-4-4-4-4--2-2-2-2-2--4-4-4-4-4--0-0-0-0-0--0-0-
--0-0-0-0-0--0-0-0-0-0--0-0-0-0-0--0-0-0-0-0--0-0-
--6-6-6-6-6--4-4-4-4-4--6-6-6-6-6--2-2-2-2-2--1-1-
--6-6-6-6-6--4-4-4-4-4--6-6-6-6-6--2-2-2-2-2--2-2-
--0-0-0-0-0--0-0-0-0-0--0-0-0-0-0--0-0-0-0-0--2-2-
--x-x-x-x-x--x-x-x-x-x--x-x-x-x-x--x-x-x-x-x--0-0-
OR
||------------------0------------------0-0-0-0-0-0---||
||------------------0------------------0-0-0-0-0-0---||
||*--13-13-13-13\11-11---13-13-13-13\9-9-9-9-9-9-9--*||
||*-------------------------------------------------*||
||---11-11-11-11\9--9----11-11-11-11\7-7-7-7-7-7-7---||
||-----------------------------------------0--0--0---||
B/F# A E E
two jumps in a week i bet you think that's pretty clever don't you boy.
B/F# A E E
flying on your motorcycle. watching all the ground beneath you drop.
B/F# A E E
you'd kill yourself for recognition. kill yourself to never ever stop.
B/F# A E E
you broke another mirror. you're turning into something you are not.
B/F# A E E
don't lead me high, don't lead me dry,
B/F# A E E
don't lead me high, don't lead me dry.
B/F# A E E
B/F# A E E
drying up in conversation you will be the one who cannot talk.
B/F# A E E
all your insides fall to pieces. you just sit there wishing you could still make love.
B/F# A E E
they're the ones who'll hate you when you think you've got the world all sussed out.
B/F# A E E
they're the ones who'll spit at you. you will be the one screaming out.
B/F# A E E
don't lead me high, don't lead me dry,
B/F# A E E
don't lead me high, don't lead me dry.
B/F# A E E
B/F# A E E
B/F# A E E
it's the best thing that you ever had. the best thing that you ever ever had.
B/F# A E E
it's the best thing that you ever had. the best thing that you had has gone away.
B/F# A E E
don't lead me high, don't lead me dry,
B/F# A E E
don't lead me high, don't lead me dry.
B/F# A E E
don't lead me high,
B/F# A E
don't lead me high, don't leave me dry.
---
Solo: (on a single string)
B-5-5-4-5-5--4-5-5--4-5s7s5-4--5-5-4-5-5-2-0----2---4-
B-5-5-4-5-5--4-5-5--4-5s7s5-4--5-5-4-5-5-2-0----------
---
intro,from: Stuart Winchester <stuart@winchester.force9.co.uk>
OK, The beginning part of this song isnt on the tab thats around.
ns ns
low E|---0---s----0---s----0---s----0----s---0--------------------
|---7---s---11---s----9---s---11----s---7--------------------
|---x---l----x---l----x---l----x----l---x--------------------
|---9---i---13---i---11---i---13----i---9--------------------
|---0---d----0---d----0---d----0----d---0--------------------
highE|---0---e----0---e----0---e----0----e---0--------------------
This needs a bit of explaining too. Where it says ns dont stop to
play the chord at the fret. Carry on sliding down to the next chord.
sslide:- Strum slide. Carry on strumming while sliding.
I hope thats right. It dosent sound it though, I think something is
done with the low E, but I dont know.
---
another one, this from Tyler Todd:
F#m11 Aadd9 E and F#m11 Aadd9 E A/E E A/E
The A/E changes are very quick, but they are there. Just listen for them.
The chords look like this.
F#m11:2x4200 E:022100
Aadd9:577600 A/E:04x200 this chord is often substituted with Esus4:022200
The sliding octaves at the start actually look like this:
x11x1300 slide to x9x1100 back to x11x1300 slide to x7x900 (strum in time,
then add the low "E") 07x900
---
now here are the solos:
at *2:50*
F#m11:2x4200 Aadd9:577600 E:022100
1:--0-------0-------0-------0-0-------0-------0--------0-------0----------------
2:5---4-5-5---4-5-5---4-5-5/7---4-4-5---4-5-5---2--------0---2-4-4--------------
3:-------------------------------------------------4-4-----4--------------------
4:------------------------------------------------------------------------------
5:------------------------------------------------------------------------------
6:------------------------------------------------------------------------------
F#m11:2x4200 Aadd9:577600 E:022100
1:--0-------0-------0-------0-0-------0-------0---------------------------------
2:5---4-5-5---4-5-5---4-5-5/7---4-4-5---4-5-5---2-------------------------------
3:-------------------------------------------------4-4///////////1--------------
4:------------------------------------------------------------------------------
5:------------------------------------------------------------------------------
6:------------------------------------------------------------------------------
Now at *3:33*
F#m11:2x4200 Aadd9:577600 E:022100
1:--0-------0-------0---------0-------0-----------------------------------------
2:5---4-5-5---4-5-5---4-4-5/7---5-4-5---4-5-5-2-2-------------------------------
3:------------------------------------------------4-4-2-1-1---------------------
4:------------------------------------------------------------------------------
5:------------------------------------------------------------------------------
6:------------------------------------------------------------------------------
F#m11:2x4200 Aadd9:577600 E:022100
1:--0-------0-------0-------0-------0-------0-----------------------------------
2:5---4-5-5---4-5-5---4-5-5---4-5-5---4-5-5---4-5--5-5-5-5-7-7-9-9--------------
3:------------------------------------------------------------------------------
4:------------------------------------------------------------------------------
5:------------------------------------------------------------------------------
6:------------------------------------------------------------------------------
Finally, the interesting bit at *3:54*
F#m11:2x4200 Aadd9:577600 E:022100
1:-0---0---0---0---0---0--0---0---0---0---0---0---0---0--0---0--------12--------
2:-0---0---0---0---0---0--0---0---0---0---0---0---0---0--0---0-----------0------
3:14--14--13--14--13--11--9--13--14--14--14--14--13--11--9--11--11/13------14---
4:------------------------------------------------------------------------------
5:------------------------------------------------------------------------------
6:------------------------------------------------------------------------------
(E:022100) F#m11:2x4200
Aadd9 E
1:-0-------0---0--0--0-0----0---0---0---0---0---0---0---0---0---0--0--0--------0
2:-0-------0---0--0--0---0--0---0---0---0---0---0---0---0---0---0--0--0--------0
3:11-h-13-11--11--9--9------9--11--13--13--14--14--13--14--13--11--9--1---2----1
4:------------------------------------------------------------------------2----2
5:------------------------------------------------------------------------0----2
6:-----------------------------------------------------------------------------0
h:hammer on ///////:gradual slide
/:slide
/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\
+ Adrian Morse <amorse@waterw.com> +
+ The Radiohead Guitar Archive @ No Alarms +
+ http://www.waterw.com/~amorse/radiohead/ +
++++++++++++++++++++++++++++++++++++++++++++++
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