QUEENSRYCHE - "anarchy-x" Tablature
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Queensryche
"Anarchy-X"
off of "Operation: Mindcrime"
tabbed by Eric Somdahl (bass_guy@mindspring.com)
Fig 1
G|----------------------------------|
D|----------------------------------|
A|----------------------------------|
E|-1---1-0---1---1-0---1---1-0---1--|
Fig 2
G|---------------------------------------|
D|---------------------------------------|
A|---3--5---5-5-5-3---5-5----3---5-5-5---|
E|---------------------------------------|
Fig 3
G|----------------|
D|----------------|
A|----------------|
E|1-3-3-3-3-3-3-3-|
Fig 4
G|-------------------------------|
D|-------------------------------|
A|-------------------------------|
E|-1---1--1-1-1---1---1-1---1----|
Fig 5
G|------------------|
D|------------------|
A|------------------|
E|--3-3-3-3-3-3-3-3-|
Fig 6
G|-------------------------------------------------------|
D|-------------------------------------------------------|
A|-------------------------------------------------------|
E|-0---0---0-0-0-0----1---1---1-1-1-1----3---3---3-3-3---|
Fig 7
G|--------------|
D|--------------|
A|--------------|
E|---7----8-5---|
fig 8
G|----------------------------|------------------|
D|----------------------------|------------------|
A|----------------------------|--------------/12-|
E|---7----7----8--7----7---7--|--7---8---7-------|
The song sequence is:
Fig 1 x1
Fig 2 x1
Fig 1 x1
Fig 3 x1
(crowd sounds enter)
Fig 1 x2
fig 2 x1
fig 1 x2
fig 3 x1
(guitar leads enter)
fig 4 x4.5 (it's 4 bars in common time and 1 bar in 2/4)
fig 5 x2
fig 6 x1
fig 7 x4
fig 8 x1 (and into Revolution Calling...)
With all of the guitar stuff going on at the end of the track I was hoping the
bass was doing something more interesting than what Eddit J is doing, but sometimes
you have to take a back-seat and play a pure support role.
"Anarchy-X"
off of "Operation: Mindcrime"
tabbed by Eric Somdahl (bass_guy@mindspring.com)
Fig 1
G|----------------------------------|
D|----------------------------------|
A|----------------------------------|
E|-1---1-0---1---1-0---1---1-0---1--|
Fig 2
G|---------------------------------------|
D|---------------------------------------|
A|---3--5---5-5-5-3---5-5----3---5-5-5---|
E|---------------------------------------|
Fig 3
G|----------------|
D|----------------|
A|----------------|
E|1-3-3-3-3-3-3-3-|
Fig 4
G|-------------------------------|
D|-------------------------------|
A|-------------------------------|
E|-1---1--1-1-1---1---1-1---1----|
Fig 5
G|------------------|
D|------------------|
A|------------------|
E|--3-3-3-3-3-3-3-3-|
Fig 6
G|-------------------------------------------------------|
D|-------------------------------------------------------|
A|-------------------------------------------------------|
E|-0---0---0-0-0-0----1---1---1-1-1-1----3---3---3-3-3---|
Fig 7
G|--------------|
D|--------------|
A|--------------|
E|---7----8-5---|
fig 8
G|----------------------------|------------------|
D|----------------------------|------------------|
A|----------------------------|--------------/12-|
E|---7----7----8--7----7---7--|--7---8---7-------|
The song sequence is:
Fig 1 x1
Fig 2 x1
Fig 1 x1
Fig 3 x1
(crowd sounds enter)
Fig 1 x2
fig 2 x1
fig 1 x2
fig 3 x1
(guitar leads enter)
fig 4 x4.5 (it's 4 bars in common time and 1 bar in 2/4)
fig 5 x2
fig 6 x1
fig 7 x4
fig 8 x1 (and into Revolution Calling...)
With all of the guitar stuff going on at the end of the track I was hoping the
bass was doing something more interesting than what Eddit J is doing, but sometimes
you have to take a back-seat and play a pure support role.
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