DANZIG - "anything" Tablature
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Subject: d/danzig/anything.tab
From: cayeux@scinfo.u-nancy.fr (Christian Cayeux)
DANZIG "Anything"
by Glen Danzig
Tabbed by Christian Cayeux (cayeux@scinfo.u-nancy.fr)
This song is my favorite slow song to play and sing with my band
or alone. DANZIG is one of my favorite band : they express a very big
sensitivity in their songs.
If you think this tab is useful for you, write it to me by mail :
I like to know how useful my transcriptions are.
If you have anything to tell me, if you want any other DANZIG tabs,
no hesitation, write it to me by mail.
Notation :
PM : palm muting
p : pulling-Off
h : hammer
b : bend
~ : tremolo
Intro:
Structure 3/4 during all the song.
Tempo : moderate rock
Clean Sound
Bbm Repeat 2 times.
|------------------------|--------------------------|
|------------------------|--------------------------|
|-o---------3------------|---------3-------------o--|
|-o------3-----3-----3---|------3-----3-----3----o--|
|-----1-----------1------|---1-----------1----------|
|------------------------|--------------------------|
^
Here in the song, a piano plays a Bbm chord.
If there's no keyboards in your band, the bass
player can play a Bbm a this time.
Rhy. Fig. 1
Clean Sound 1
Bbm ..........................|
|------------------------|--------------------------|
|------------------------|--------------------------|
|-o---------3------------|---------3-------------o--|
|-o------3-----3-----3---|------3-----3-----3----o--|
|-----1-----------1------|---1-----------1----------|
|------------------------|--------------------------|
^
Here Piano or Guitar plays a Bbm
End. Fig. 1
2
.........................|
|------------------------|
|-----2------------------| Repeat Rhy. Fig. 1
|--------3-----3---------| During the first verse.
|-----------3------------|
|------------------------|
|------------------------|
1st Verse :
Anything you want...
Rhy. Fig. 2
Clean Sound
Coda @
Bbm
|------------------------|--------------------------|
|------------------------|--------------------------|
|-o---------3------------|---------3-------------o--|
|-o------3-----3-----3---|------3-----3-----3----o--|
|-----1-----------1------|---1-----------1----------|
|------------------------|--------------------------|
^
Here Piano or Bass plays a Bbm
G# F# D.S Al Coda @
|------------------------|--------------------------|
|------------------------|--------------------------|
|-o----------------------|-----------------------o--|
|-o---------6------------|---------6-------------o--|
|--------6-----6-----6---|------6-----6-----6-------|
|-----4-----------4------|---4-----------4----------|
^
Here Piano or Bass plays a G#
Coda ø End Fig. Rhy. 2
Bbm F# G# D.S Al Coda ø
|------------------------|----------------------------|
|------------------------|----------------------------|
|-o---------3------------|-------------------------o--|
|-o------3-----3-----3---|-----------4--------6----o--|
|-----1-----------1------|--------4--------6----------|
|------------------------|-----2--------4-------------|
^ ^ ^
Piano/Bass Piano/Bass Piano/Bass
Bbm F# G#
Play Rhy. Fig. 2 During 1st Chorus.
Chorus :
And it's freedom...
Tempo : faster.
Fill 1. With Distortion.
F#5 G#5
|----------------------|
|----------------------|
|----------------------|
|-----4--------6-------|
|-----4--------6-------|
|-----2--------4-------|
Rhy. Fig. 3
With Distortion
B#5
|------------------------|--------------------------|
|------------------------|--------------------------|
|-o---------3------------|---------3-------------o--|
|-o------3-----3-----3---|------3-----3-----3----o--|
|-----1-----------1------|---1-----------1----------|
|------------------------|--------------------------|
End Fig. Rhy. 3
C#5 C5 C#5
|--------------------------|
|--------------------------| Repeat Rhy. Fig. 3
|-----6----5----6----------| During the Second verse.
|-----6----5----6----------|
|-----4----3----4----------|
|--------------------------|
2nd Verse :
Anything you want...
Rhy. Fig. 4
With Distortion
G#5 G#5
|---------------|-----------------|
|---------------|-----------------|
|-o-------------|-----------------|
|-o----6--------|-------6---------|
|------6--------|-------6---------|
|------4--------|-------4---------|
B#5
......................................PM
|------------------------|--------------------------|
|------------------------|--------------------------|
|-----------3------------|---------3-------------o--|
|--------3-----3-----3---|------3-----3-----3----o--|
|-----1-----------1------|---1-----------1----------|
|------------------------|--------------------------|
F#5
.......................PM
|---------------------|------------------------|
|---------------------|------------------------|
|---------------------|------------------------|
|---------------------|--------4---------------|
|---4--4--4--4--4--4--|--4--4--4---------------|
|---2--2--2--2--2--2--|--2--2--2---------------|
Bbm F# G# End Rhy. Fig. 4
|------------------------|----------------------------|
|------------------------|----------------------------|
|-o---------3------------|-------------------------o--| Play Rhy. Fig. 4
|-o------3-----3-----3---|-----------4--------6----o--| During the Chorus.
|-----1-----------1------|--------4--------6----------|
|------------------------|-----2--------4-------------|
Play Fill 1.
Then with clean sound play two times the last two bars
of Rhy. Fig. 4.
Here you sing :
Anything you want is in my arms...
Then Solo with Rhy. Fig. 4.
I'm not 100% sure of the Solo. But it sounds good to me.
Full Full
|-----------------------------------------------------------------|
|--19b---19b--19-19---19p17---------------19--16------------------|
|----------------------------19-17-16-----19--16h17---------------|
|--------------------------------------19-------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
~~~~ Full
|-----------------------------------------------------------------|
|-----------18----19----18---18---18----18------------------------|
|---15---15----15----15------20b-----20----20P18------18h20-------|
|-------------------------------------------------20--------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
Full Full
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|--20----18----17------------17h18-20b---17h18h20b-(20)h17--------|
|--------------------18---20--------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
Full Full~~~~~~~~~~
|----------------------------------17-19b-(19)p17-19b-------------|
|-------17h19h20---------17h19h20---------------------------------|
|---20-----------17h18h20-----------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
Full Full Full
|---17--19--20--20b-(20)-19--20b-(20)-19--20h19h17------17b-------|
|---------------------------------------------------19------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
Full Full
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|---20--18--17----------17h18-20b--17h18h20-(20)p17---------------|
|---------------18--20--------------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
Full Full~~~~~~~~~~~
|-------------------------------17--19b-(19)p-17-19b--------------|
|---17h19h20----------17h19h20------------------------------------|
|------------17h18h20---------------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
Then repeat the end of the Chorus.
You sing :
In my heart...
The way I play the solo end of this song is each time different, so
I don't want to tab it. This end is a very good piece for
improvisation; you know it's this kind of song end that can take
a very long time, and playing it you feel you never reach it.
The very end is just : F#5 G#5
Don't forget the most important :
Never give up, and take fun !
Christian Cayeux.(cayeux@scinfo.u-nancy.fr)
(Froggie Goes To Holliwood)
From: cayeux@scinfo.u-nancy.fr (Christian Cayeux)
DANZIG "Anything"
by Glen Danzig
Tabbed by Christian Cayeux (cayeux@scinfo.u-nancy.fr)
This song is my favorite slow song to play and sing with my band
or alone. DANZIG is one of my favorite band : they express a very big
sensitivity in their songs.
If you think this tab is useful for you, write it to me by mail :
I like to know how useful my transcriptions are.
If you have anything to tell me, if you want any other DANZIG tabs,
no hesitation, write it to me by mail.
Notation :
PM : palm muting
p : pulling-Off
h : hammer
b : bend
~ : tremolo
Intro:
Structure 3/4 during all the song.
Tempo : moderate rock
Clean Sound
Bbm Repeat 2 times.
|------------------------|--------------------------|
|------------------------|--------------------------|
|-o---------3------------|---------3-------------o--|
|-o------3-----3-----3---|------3-----3-----3----o--|
|-----1-----------1------|---1-----------1----------|
|------------------------|--------------------------|
^
Here in the song, a piano plays a Bbm chord.
If there's no keyboards in your band, the bass
player can play a Bbm a this time.
Rhy. Fig. 1
Clean Sound 1
Bbm ..........................|
|------------------------|--------------------------|
|------------------------|--------------------------|
|-o---------3------------|---------3-------------o--|
|-o------3-----3-----3---|------3-----3-----3----o--|
|-----1-----------1------|---1-----------1----------|
|------------------------|--------------------------|
^
Here Piano or Guitar plays a Bbm
End. Fig. 1
2
.........................|
|------------------------|
|-----2------------------| Repeat Rhy. Fig. 1
|--------3-----3---------| During the first verse.
|-----------3------------|
|------------------------|
|------------------------|
1st Verse :
Anything you want...
Rhy. Fig. 2
Clean Sound
Coda @
Bbm
|------------------------|--------------------------|
|------------------------|--------------------------|
|-o---------3------------|---------3-------------o--|
|-o------3-----3-----3---|------3-----3-----3----o--|
|-----1-----------1------|---1-----------1----------|
|------------------------|--------------------------|
^
Here Piano or Bass plays a Bbm
G# F# D.S Al Coda @
|------------------------|--------------------------|
|------------------------|--------------------------|
|-o----------------------|-----------------------o--|
|-o---------6------------|---------6-------------o--|
|--------6-----6-----6---|------6-----6-----6-------|
|-----4-----------4------|---4-----------4----------|
^
Here Piano or Bass plays a G#
Coda ø End Fig. Rhy. 2
Bbm F# G# D.S Al Coda ø
|------------------------|----------------------------|
|------------------------|----------------------------|
|-o---------3------------|-------------------------o--|
|-o------3-----3-----3---|-----------4--------6----o--|
|-----1-----------1------|--------4--------6----------|
|------------------------|-----2--------4-------------|
^ ^ ^
Piano/Bass Piano/Bass Piano/Bass
Bbm F# G#
Play Rhy. Fig. 2 During 1st Chorus.
Chorus :
And it's freedom...
Tempo : faster.
Fill 1. With Distortion.
F#5 G#5
|----------------------|
|----------------------|
|----------------------|
|-----4--------6-------|
|-----4--------6-------|
|-----2--------4-------|
Rhy. Fig. 3
With Distortion
B#5
|------------------------|--------------------------|
|------------------------|--------------------------|
|-o---------3------------|---------3-------------o--|
|-o------3-----3-----3---|------3-----3-----3----o--|
|-----1-----------1------|---1-----------1----------|
|------------------------|--------------------------|
End Fig. Rhy. 3
C#5 C5 C#5
|--------------------------|
|--------------------------| Repeat Rhy. Fig. 3
|-----6----5----6----------| During the Second verse.
|-----6----5----6----------|
|-----4----3----4----------|
|--------------------------|
2nd Verse :
Anything you want...
Rhy. Fig. 4
With Distortion
G#5 G#5
|---------------|-----------------|
|---------------|-----------------|
|-o-------------|-----------------|
|-o----6--------|-------6---------|
|------6--------|-------6---------|
|------4--------|-------4---------|
B#5
......................................PM
|------------------------|--------------------------|
|------------------------|--------------------------|
|-----------3------------|---------3-------------o--|
|--------3-----3-----3---|------3-----3-----3----o--|
|-----1-----------1------|---1-----------1----------|
|------------------------|--------------------------|
F#5
.......................PM
|---------------------|------------------------|
|---------------------|------------------------|
|---------------------|------------------------|
|---------------------|--------4---------------|
|---4--4--4--4--4--4--|--4--4--4---------------|
|---2--2--2--2--2--2--|--2--2--2---------------|
Bbm F# G# End Rhy. Fig. 4
|------------------------|----------------------------|
|------------------------|----------------------------|
|-o---------3------------|-------------------------o--| Play Rhy. Fig. 4
|-o------3-----3-----3---|-----------4--------6----o--| During the Chorus.
|-----1-----------1------|--------4--------6----------|
|------------------------|-----2--------4-------------|
Play Fill 1.
Then with clean sound play two times the last two bars
of Rhy. Fig. 4.
Here you sing :
Anything you want is in my arms...
Then Solo with Rhy. Fig. 4.
I'm not 100% sure of the Solo. But it sounds good to me.
Full Full
|-----------------------------------------------------------------|
|--19b---19b--19-19---19p17---------------19--16------------------|
|----------------------------19-17-16-----19--16h17---------------|
|--------------------------------------19-------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
~~~~ Full
|-----------------------------------------------------------------|
|-----------18----19----18---18---18----18------------------------|
|---15---15----15----15------20b-----20----20P18------18h20-------|
|-------------------------------------------------20--------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
Full Full
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|--20----18----17------------17h18-20b---17h18h20b-(20)h17--------|
|--------------------18---20--------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
Full Full~~~~~~~~~~
|----------------------------------17-19b-(19)p17-19b-------------|
|-------17h19h20---------17h19h20---------------------------------|
|---20-----------17h18h20-----------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
Full Full Full
|---17--19--20--20b-(20)-19--20b-(20)-19--20h19h17------17b-------|
|---------------------------------------------------19------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
Full Full
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|---20--18--17----------17h18-20b--17h18h20-(20)p17---------------|
|---------------18--20--------------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
Full Full~~~~~~~~~~~
|-------------------------------17--19b-(19)p-17-19b--------------|
|---17h19h20----------17h19h20------------------------------------|
|------------17h18h20---------------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
Then repeat the end of the Chorus.
You sing :
In my heart...
The way I play the solo end of this song is each time different, so
I don't want to tab it. This end is a very good piece for
improvisation; you know it's this kind of song end that can take
a very long time, and playing it you feel you never reach it.
The very end is just : F#5 G#5
Don't forget the most important :
Never give up, and take fun !
Christian Cayeux.(cayeux@scinfo.u-nancy.fr)
(Froggie Goes To Holliwood)
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